Une Vraie Jeune Fille

Sexting chez les Amish

Un Amish de 21 ans a été arrêté après avoir envoyé environ 600 messages, photos et vidéos à caractère sexuel à une mineure de 12 ans. Selon un rapport établi par la police de Connersville (Indiana), William Yoder avait notamment proposé à la jeune fille d’avoir un rapport sexuel avec elle dans un buggy, le mode de transport traditionnel des Amish.

Yoder aurait admis avoir envoyé le premier message par hasard à la jeune fille, dont les parents ont plus tard pris contrôle du téléphone cellulaire de leur enfant et contacté la police. L’homme a été arrêté à l’extérieur d’un restaurant où il avait donné rendez-vous à l’enfant.

Même s’ils voient la technologie d’un mauvais oeil, les Amish utilisent le téléphone cellulaire et ils sont de plus en plus nombreux à avoir des pages Facebook.

Une autre belle gang d’hypocrites qui se cachent derrière la religion. Ça se promène en charette pour cause de religion mais ça utilise l’électronique. Des intégristes du nouveau testament quand ça fait leur affaire et le renie pour d’autres raisons. Allons donc comprendre. C’est ça l’hypocrisie des religions.

De plus, je gagerais ma chemise que le jeune n’a jamais eu d’éducation sexuelle convenable qui lui aurait enseigné la portée de ses actes. P’is ça se prétend supérieur et plus proche de la cuisse de leur dieu que les laics. Comme le disait si bien Obélix, ils sont fous ces exaltés religieux.

Un autre exemple de la VRAIE révolution issue des nouvelles technologies de communication.

TOUTES les cultures de la planète seront, qu’on le veuille ou non, propulsées au 21e siècle.

Avant le Net et le Cell, les curés/rabbins/ayatollays/politiciens/dictateurs pouvaient mentir en toute impunité à leurs masses de suiveux illettrés. Aujourd’hui, grâce à ces outils de communication/information, les masses incultes peuvent en tout temps obtenir une autre opinion et vérifier une affirmation douteuse.

Le «printemps arabe» découle des nouvelles technologies de l’information. On n’a qu’à voir l’empressement des régimes en péril à «tirer la plug» internet et cellulaire pour comprendre la VRAIE menace…

Et ce mouvement mondial ne peut que s’accentuer, à mesure que ces technologies deviennent accessibles aux peuples des pays les plus pauvres, notamment grâce à des initiatives du genre OLPC (One Laptop Per Child) qui fournit des ordinateurs portables à 100$ aux enfants de pays émergeants.

Catherine Breillat Biography | Full Issue

Author and filmmaker Catherine Breillat has gained a repute as a single of the many argumentative women in à la mode humanities and letters for her work, that mostly focuses upon the amorous and romantic lives of immature women, as told from the woman’s perspective. Born in Bressuire, France, in 1948, Breillat grown a repute for severe open mores early on; at the age of 17, she published her initial novel, L’homme Facile, that became a means célèbre for the brief denunciation and open work of art of passionate thesis matter. The debate generated by L’homme Facile gave Breillat sufficient approval that she was means to aspire to a career as a writer, and between 1968 and 1975, she published 3 novels and a theatre drama, as good as creation her behaving entrance with a tiny purpose in Bernardo Bertolucci’s Last Tango in Paris. In 1975, Breillat changed at the back of the camera by writing, designing, and directing Une Vraie Jeune Fille, that was blending from a single of Breillat’s novels. An unexploitive yet scarcely pithy work of art of the passionate obsessions of an youth girl, Une Vraie Jeune Fille generated a sure volume of controversy, that would presumably have been larger had it found far-reaching recover at the time — monetary problems upon the partial of the film’s producers prevented it from reception a correct launch at the time. After essay dual some-more drive-in theatre (one of them, significantly, was Bilitis, a fool around about the passionate awakening of teenage girls destined by amorous photographer David Hamilton) and reception upon an additional behaving purpose in the abhorrence travesty Dracula Père et Fils, Breillat destined her second feature, 1979′s Tapage Nocturne, that was additionally formed upon a single of her novels. The story endangered the recurrent passionate desires of a single immature woman, and her unblinking work of art of the thesis resulted in the movie reception a rating that prevented any a single underneath eighteen from saying the film, in all the lick of death at the French box office. After directing dual drive-in theatre that had garnered copiousness of (often hostile) press yet really tiny money, Breillat’s career as a executive was put upon hold. Breillat a single after an additional to write screenplays (including Police and Federico Fellini’s E La Nave Va), yet it wasn’t until 1988 that she was in assign of an additional feature, 36 Fillette. Depicting the burgeoning sexuality of a 14-year-old girl, and a prime male vigilant upon seducing her, 36 Fillette generated the approaching storms of controversy, yet it additionally fared good sufficient at the box bureau that Breillat was means to have an additional movie usually dual years later, Sale Comme un Ange. Breillat’s genuine general breakthrough, though, came in 1999; Romance, connected with a schoolteacher whose attribute with her beloved has left sour, heading her in to a accumulation of passionate liaisons with alternative men, was a single of the initial drive-in theatre to fool around mainstream cinemas in Europe and the United States that obviously decorated pithy retort and fellatio, and as a outcome generated no tiny volume of press attention. Romance additionally spawned a series of certain reviews and consider pieces in vital newspapers and magazines, and eventually reliable Breillat’s standing as a vital filmmaker outside her local France. (The success of Romance additionally resulted in Une Vraie Jeune Fille eventually reception a belated melodramatic and home video recover in Europe and the United States.) Breillat once again revisited her the a single preferred themes with her common grade of comprehension yet confidant probity with 2001′s A Ma Soeur, that concerns dual sisters — a single overweight, a single tasteful — who have been any entrance to unfortunate conditions with their budding sexuality.

Francophone women film directors, a guide

Rape in art cinema

International who's who of authors and writers

Pablo Ruiz Picasso, a biography

Catherine Breillat